A bit of New Year fun for you … Looking at a favourite music list from a couple of years ago, I noted the jazz club scene from the film ‘Collateral’, and how much I enjoyed such scenes in films. So Chris Jones and I have been playing a little game, augmenting our fading memories with the magnificent YouTube, in order to create a list of the classic band performances in films.
The completely arbitrary rules are these: it mustn’t be a musical like ‘An American In Paris’, or music-orientated like ‘Round Midnight’ or ‘Downtown 81’, or about a band, like ‘Magical Mystery Tour’ (which sadly rules out this classic Bonzo Dog Doo Dah Band clip. Take a look anyway). Many early films are counted out as they would often feature a number as part of the show, functioning more of as entertaining interlude than plot device. Obviously, we’re not talking backing music á là Scorcese’s ‘Mean Streets’, either.
No, the examples we’re looking for are those where a band performance is used as a signifier or symbol. They’re not a character as such, more an atmospheric effect into which characters are thrust. Not part of the plot, but part of the scenery, almost. So there’s a golden era for these, from the late 1950s, when jazz and then psychedelic bands would be used to indicate when a character was about to dally in something a bit shady, up to the mid-1980s, when bands stopped being, well, bands. In a meaningful sense for the movies, like.
They don’t have to be real bands, though bonus points if they are.
Last rule is that the sequence has to exist on YouTube. That’s just for practicality’s sake. I just hope the following stay up long enough.
So here’s our top twelve sequences of bands in films, in no particular order. There must be many more out there, so use the comments to suggest other contenders. In the meantime, enjoy! (Tip: If you’re finding the videos a bit jerky, as I’ve embedded quite a few here, click the YouTube logo on the video itself and watch it there.)
San Francisco dinner jazz in ‘Bullitt’
The scene that got me started. I’ve seen Bullitt so many times and this is as emblematic a scene as the famous car chase. Steve McQueen manages to look both super-cool and out-of-place simultaneously, eyeing up the beautiful Jacqueline Bisset, as a boho ‘Frisco jazz band get busy amidst the diners. It’s fantastic. No idea who they are. All we know is that the guitarist is Mike Deasy. He was also in ‘Dirty Harry’ you know. Correction! See comment below.
Jazz club scene in ‘Collateral’
Jumping forward, this scene is related to ‘Bullitt’ perhaps, yet this is a sharper brew – a version of Miles Davis’ ‘Spanish Key’. Michael Mann’s use of music is exemplary, although he rarely places it in the foreground like this. The club shootout scene (here re-edited with just track, no dialogue) later – soundtracked to Paul Oakenfold – is more contemporary Mann. But this is beautifully put together.
Nick Cave and The Bad Seeds in ‘Wings of Desire’
Fantastic couple of performances. A classic example of mood-setting, Aussie wasters conveying Berliner decadence as angels wander invisibly on stage. Lovely. See also Crime and the City Solution’s ‘Six Bells Chime’ in the same film.
Cliff Richard ‘Junior’ in ‘Thunderbirds’
Oh yes, this qualifies. Just in case you thought this was all getting a bit dour. Cliff and The Shadows in puppet form, guitar-shaped rockets and all.
The Pretty Things and Norman Wisdom in ‘What’s Good For The Goose’
Yes, you read that right. Norman Wisdom plays a hippy in this 1969 British film, and goes to see a band called The Electric Banana. They’re played by The Pretty Things. Norm seems to be getting into it. As Chris said: “Far out Mr. Grimsdale” etc. There’s another clip here, dubbed in German and featuring swings, for added surrealism. (Norman Wisdom link for overseas readers.)
Graham Bond Organisation in ‘Gonks Go Beat’
To complete this triumvirate of unbelievably dated British movies, here’s a groovy classic featuring Carry On player Kenneth Connor encountering The Graham Bond Organisation, in some kind of future ‘beat club’. Absolutely hilarious. And a fantastic track. The dancing is particularly enticing. Features the young Jack Bruce, Ginger Baker and John McLaughlin before their subsequent stellar careers. Oh, and Kenneth Connor. Dig?
Warhol party scene from ‘Midnight Cowboy’
OK, the band aren’t actually visible in this, but it’s clearly a Warhol Factory affair, so we can assume that John Cale arguing with LaMonte Young about tape loops somewhere while Nico and Lou Reed check out the girls. And boys. Actually, according to the comments, the track is ‘Old Man’s Willow’ by Elephant’s Memory. It’s a great example of rock being used to denote seediness.
Moby Grape from ‘Sweet Ride’
You have to fast-forward this one to about 5′ 28” in. (Although you’d be advised to just let it play through, as Moby Grape were rather good.) Anyway, when you get there, you’ll see a scene from ‘Sweet Ride’ (1968), showing a freak-out in full effect. Note how ‘engaged’ the San Francisco crowd are compared to the London scene in ‘Blow Up’ (below). Check the drummer in a pith helmet. See if you can spot Lee Hazlewood and Peter Fonda too. “Phew it sure is wild out there …”
Chico Hamilton Quintet in ‘Sweet Smell of Success’
Noir often used jazz as one of its key signifiers. Frankly, could’ve used many similar clips here. I discounted Frank Sinatra as Frankie Machine in Preminger’s superb ‘Man With The Golden Arm’ due to it being too obviously about music. This strikes a better balance of scene-setting for the principal characters. Features Chico Hamilton. And it’s a great film.
Jazz band creates havoc in Tati’s ‘Playtime’
Tati himself helps with the destruction of the impossibly ill-conceived modern restaurant in ‘Playtlme’ yet the super ‘ip jazz band help things along by filling the dancefloor and playing at one hundred miles an hour. And keep going while everything falls apart around them and new social groupings emerge. Fabulous.
Bauhaus in ‘The Hunger’
Sadly I can’t embed this one, so you’ll have to follow this link to see Bauhaus performing ‘Bela Lugosi’s Dead’ at the start of ‘The Hunger’. Deneuve, Sarandon, Pete Murphy. Hmm doesn’t quite follow does it. Anyway, this one just sneaks in, despite being a little bit promo/title sequence.
The Yardbirds in ‘Blow Up’
Perhaps the quintessential ‘band in film’ scene features The Yardbirds – Jimmy Page, Jeff Beck an’ all – in Antonioni’s ‘Blow Up’. Love the way that Beck so carefully wrecks his amplifier. It’s all so studied. As are the crowd. Look how utterly London they are. Motionless, too-cool. Compare again to the Moby Grape crowd earler! Save for a couple of groovers at the back, they’re barely there. At least they wake up a bit when Beck chucks what’s left of his guitar into the crowd. This was shot in the 100 Club on Oxford Street, which is still there, although Oxford Street looks a bit different now.
What no ZZ-Top Square-Dance/’Doubleback’ in Back To The Future III?
Disappointing.
What first pops to mind are The Circle Jerks in Repo Man, though I can’t find the clip anywhere.
Matt, I rejected anything from Back to the Future purely on grounds of taste, sadly. That and the cantina band from Star Wars. Fascistic, I know. Chris had mentioned ZZ Top, to be fair.
Cheers Peter. Chris also remembered Repo Man too, but we couldn’t find it either. Someone should upload it.
Frank Hopkins contributes these: Ministry, in Spielberg’s ‘AI’ and Aerosmith and Christina Milian in ‘Be Cool’.
While I’m on, we’d also thought that there must’ve been a band scene in ‘Dogs In Space’. We reckon Traffic were in ‘All Around The Mulberry Bush’, Split Enz were in ‘Coca Cola Kid’. There are jazz band scenes in ‘The Aviator’ and ‘The Talented Mr Ripley’. Possibly something Clint didn’t take to in ‘Coogan’s Bluff’, vague recollection of something in ‘Fire Walk With Me’, and almost certainly some jazz in Malle’s ‘Ascenseur pour L’Echafaud’.
Yeah the Circle Jerks were great along with Black Randy! I would like to mention Scott Matthew in Shortbus, although not a great film he really sets the mood through a lot of the movie.
Strawberry Alarm Clock in “Psych-Out” (1968):
James Brown in “Ski Party” (1965):
John Lee Hooker and Aretha Franklin in “The Blues Brothers” (1980, but doesn’t meet your non-musical criteria):
Also, there’s a huge compilation of 1960s garage band cameos in film here:
http://60sgaragebands.com/tvfilmcameos.html
The two-minute steadicam shot from Kill Bill backed by the 5.6.7.8.’s is pretty good. Sets the viewer up for the goofy fight scene chaos that follows.
Thanks. Those James Brown and 5,6,7,8s clips are great.
The scene from Antonioni’s ‘Blow Up’ is too cool for a reason – in my view anyway. It’s showing the vacant, controlling aspect of popular youth culture (fairly new at the time) – the whole film ridicules this – rather than being a paean to Sixties London (as a lot of our still naive youngsters tend to view the film), I think Antonioni is exposing how shallow and hollow the situation was, and still is. The fact that the crowd only reacts emotionally when it gets the chance to take home a souvenir of the already organised rebellion only further illustrates the point. The final irony in the mis-reading of this film tends to be that its poster ends up on domestic walls, perpetuating the sorry investment into the spoonfed spectacle. Sad to say, a film that heavily critiques the over-reliance on the faith in imagery to provide a ‘truth’ has joined the pantheon (as it must).
Still, all good fun though!
Sorry but you are missing what should be #1 on the list: The Strawberry Alarm Clock in Beyond the Valley of the Dolls. Not only do they look amazing and perform two songs for the crowd, they’re also name-checked by the main character. Furthermore the interplay and editing between the band, their music, and the crowd is nothing short of brilliant.
Sounds good Ted. Can’t find the Strawberry Alarm Clock, but I did find this. The Kelly Affair. Very good.
come on… Ramones in Rock and Roll High School.
Ha, great post. And wtf at The Pretty Things appearing in that insane Norman Wisdom film. Always found the whole thing too chilling to watch in full.
I nominate osbcure post-psych outfit Stoneground (Sal Valentino’s band after the Beau Brummels) being totally groovy and upsetting the squares in Dracula AD 72:
There’s also a blast of Electric Storm in Hell by White Noise later when they summon Dracula.
Nice post.
What about the movie Code 46 by Michael Winterbottom, where Mick Jones (former member of The Clash) sings The Clash song “Should I Stay or Should I Go?” in the karaoke-esque club scene.
Check IMDB (i´ve used their phrasing):
http://us.imdb.com/title/tt0345061/trivia
Cheers,
Peter
I liked The Jim Carroll Band in the early 80’s “Tuff Turf” and also Yo La Tengo as VU in “I Shot Andy Warhol”.
It’s a small scene, but seeing Miles Davis with his band on the streets of New York playing “My Three Kings” in Bill Murray’s “Scrooged” was pretty cool, particularly because Murray’s character complains about them.
I always loved the bands they put on in the middle of the Young Ones, eg:
Motorhead doing Ace of Spades –
Madness doing House of Fun –
Can you imagine a sitcom doing this now, you’d get McFly and Girl’s Aloud.
David Lynch films always have fine music, and Wild At Heart particularly stands up.
Powermad singing Slaughterhouse:
then the same band backing Nick Cage as he sings Love Me:
and finally Nick Cage singing Love Me Tender to Laura Dern.
I couldn’t find Koko Taylor from the same film, which is a shame as it’s possibly the best of the lot.
Oingo Boingo doing “Dead Man’s Party,” in Back to School with Rodney Dangerfield was awesome.
How about the very young Red Hot Chili Peppers in “Tough Guys?”
My personal favorites are My Life With the Thrill Kill Kult in ‘The Crow,’ and Girls Against Boys in ‘200 Cigarettes.’
The fictional band, Otis Day and the Knights doing “Shout” in Animal House. One of the best scenes in that movie.
I see someone already mentioned Oingo Boingo. What about The Mighty Mighty Bosstones in “Clueless”?
Madonna in “Vision Quest” and Joan Jett (flanked by Michael J Fox) in “Light of Day”.
How about Big Bad Voodoo Daddy in Swingers!! Greatness.
What about White Lion in “The Money Pit”…?
WHat about Ween in the movie “Pat”?? Great band…crappy movie.
two ommissions come to mind, but I’m not sure if they are on YouTube:
Billy Vera and the Beaters in the Bruce Willis/Kim Bassinger movie “Blind Date” and Sugar Ray in “Father’s day” with Robin Williams and Billy Crystal. Also: Big Bad Vodoo Daddy from “Swingers”
The Offspring in “Idle Hands.”
What about the Afghan Whigs doing Barry White in Beautiful Girls?
How can we leave out Curtis Mayfield playing at the club in Super Fly?
Old 97’s in The Breakup!!!!!!!!!!!!!!!!!!!
Best prom band ever: The Feelies in “Something Wild”
Would “Singles” be considered a music movie? If not, either ALice in Chains doing “Would?” or Soundgarden’s “Birth Ritual” are both fantastic, albeit brief….
Sparks in Rollercoaster!
The Wyrd Sisters (Jarvis Cocker and some guy from Radiohead) in Harry Potter and the Goblet of Fire.
The Nymphs, Bad Influence.
umm..does anyone remember Guitarist Steve Vai in Crossroads?
ok..while i am thinking about it..
does David Bowie count? there have been a few i’m sure, and some of them will be on u-tube..just can’t find them
Of course, Bowie in Christiane F:
doing Station to Station
And I don’t know if a judge’s ruling would dismiss it as a musical, but the Girl Can’t Help It has some glorious clips. This one’s Gene Vincent doing BeBop-A-Lula:
How about Guns ‘N’ Roses in Dirty Harry “The Dead Pool”. An early Jim Carrey also lip syncs to Welcome To The Jungle.
Pearl Jam = Citizen Dick in Singles
Great list and great comments as well. Here’s my original blog post from a couple years ago on the same subject:
http://juanjamon.typepad.com/ipodshuffle/2004/04/great_rock_mome.html
When this thread came up at the time, most bloggers were pointing to pretty recent stuff, so I was excited to see the Yardbirds callout along with the comments re Beyond the Valley of the Dolls etc. On the “Blow Up” there’s some story about how they couldn’t clear the rights to ‘Train Kept A-Rollin’ so did this clone version instead. Works for me either way, cause they pretty much torch this one.
Art Blakey in Roger Vadim’s “Les Liaisons Dangereuse” (1958)
Cannonball Adderley @ Monterrey in “Play Misty For Me!
Um…the guitarist isn’t “Mike Deasy” – it’s Larry Vogt. He’s an old friend of mine’s dad, and this is his band from days gone by….
Fishbone as the backup band in I’m Gonna Get you Sucka
How about The Fine Young Cannibals in
Barry Levinson’s “Tin Man” and Jonathan
Richman in “There’s Something About Mary”
And if you can include puppets, how about
cartoons–the Beau Brummels as their
animated selves singing “Laugh Laugh”
on “The Flintstones”
Or perhaps the Afghan Whigs as the bar band in “Beautiful Girls”?
“A Million Miles Away” by The Plimsouls in the movie Valley Girl, great scene in a punky-new age bar
The Band in Bullitt was called Meridian West. The guitarist is Larry Vogt; bass-Nat Johnson; Flute- Julie Iger Roseman; percussion-Al Pimental. We are in progress on a reunion ablum to be released in 2007.Contact jiroseman@sbcglobal.net for more information